In my work, the matter is constrained, just like the body, both in action and in the making, it is tested. Therefore, it is common to build tensions, ambiguities, to play with forces and sometimes to bring the matter to cause its own breaking. The trace, the manufacturing processes, the accidents ; every coincidence is important. Trivial objects, brand-new daily materials or materials extracted from their initial contexts reveal the reality of a changing world, crumbles and rebuilds itself but also of a world which abandons, throws away and continuously buys other objects. My approach reconsiders the relationship between sculpture, space, time and action, by questioning the experience and the future of these objects. These experiences reveal an attempt to command the entropy. I often try to thwart time by modifying the stage of life of the objects, by altering their states. Slowing down the erosion process by freezing the ephemeral or speeding up the process by aggravating deterioration. The idea is to enhance their actual structures and their properties through proposed sculptures and installations which challenge their possibilities and their plasticities