Guillaume Piot
Ink on paper
120cm x 80cm
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The extent of my work is difficult to identify. The work presented appears quite heterogeneous: there are oil paintings with melancholic tones of impressionism influenced by Turner in the “Earth(s)” series and “Home(s)”, and the structured drawings like the engravings of Daumier in the “Animal Policy” series. From drawing to painting, from installation to sculpture, the combinations are numerous, which sometimes form parallel paths like “Skyless” and “Trace (s)” or sometimes contrasting as in “Les Hors l 'Histoire”. Despite this apparent impersonation, all my works have the subject of man and his identity and the relationship of man to his territories. By territory, I mean everything that human beings want to be able to appropriate or conquer. For me it may be a physical space like another person. This can be a physical space as with nature, defining arbitrary limits as in the “Border(s)” series, physical human interventions on nature in the “Trace(s)” series. It can also be a whole world (animal or space) or the power that represents to me the conquest of one territory by others, the collective memory, and the desire to leave its path, agricultural metaphor highlighting the territorial aspect of history. I emphasize the report of the human being to his physical heritage, the traces he leaves and the identity that emerges.

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