N1 limited edition of 15 Pin on your wall
Camille Tan
serial of 12 digital photos
29,7cm x 21cm
Year of creation:
12 photographies digitales couleurs (juillet 2013) - rues d’Istanbul, Turquie - 2014 Cette série de photograp.. » View more

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12 photographies digitales couleurs (juillet 2013) - rues d’Istanbul, Turquie - 2014

Cette série de photographies souligne l’absurdité en matière de nettoyage de surfaces (tags ou messages révolutionnaires) par l’usage de la peinture de la part de la municipalité d’Istanbul. En effet, pour des raisons budgétaires, la peinture coûte moins cher que le karcher (ou hydrogommage) et devient un nouvel outil non pas d’effacement ou de substitution aux tags mais bien d’ajout de matière sur ces derniers. Ces recouvrements ou aplats deviennent indirectement une nouvelle forme de tag et contribuent involontairement à l’ajout d’un geste artistique dans le paysage urbain.
In my work, the matter is constrained, just like the body, both in action and in the making, it is tested. Therefore, it is common to build tensions, ambiguities, to play with forces and sometimes to bring the matter to cause its own breaking. The trace, the manufacturing processes, the accidents ; every coincidence is important. Trivial objects, brand-new daily materials or materials extracted from their initial contexts reveal the reality of a changing world, crumbles and rebuilds itself but also of a world which abandons, throws away and continuously buys other objects. My approach reconsiders the relationship between sculpture, space, time and action, by questioning the experience and the future of these objects. These experiences reveal an attempt to command the entropy. I often try to thwart time by modifying the stage of life of the objects, by altering their states. Slowing down the erosion process by freezing the ephemeral or speeding up the process by aggravating deterioration. The idea is to enhance their actual structures and their properties through proposed sculptures and installations which challenge their possibilities and their plasticities

EESAB was founded on December 27, 2010. It brings together the higher art schools in Brest, Lorient, Quimper and Rennes. These four schools had previously been part of a single association for over twenty years. This association was formed to promote and develop the higher arts schools in Brittany and played a unifying role in promoting their activities and forming partnerships with other cultural establishments.

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